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State of Play
Directed by	Kevin Macdonald
Produced by	Tim Bevan Eric Fellner Andrew Hauptman E. Bennett Walsh
Written by	Matthew Michael Carnahan Tony Gilroy Peter Morgan Billy Ray Paul Abbott (series)
Starring	Russell Crowe Ben Affleck Rachel McAdams Helen Mirren Jason Bateman
Music by	Alex Heffes
Cinematography	Rodrigo Prieto
Editing by	Justine Wright
Distributed by	Universal Pictures
Release date(s)	April 17, 2009 (US)
Country	United States United Kingdom
Language	English
Budget	$60 million[1]
IMDb • Allmovie

State of Play is an upcoming American political thriller scheduled for release in 2009. It is a film adaptation of the critically acclaimed British television serial State of Play, which first aired on BBC One in 2003. It is directed by Kevin Macdonald and written by Matthew Michael Carnahan, Tony Gilroy, Peter Morgan, and Billy Ray. The film tells of a journalist's probe into the suspicious death of a Congressman's mistress. Russell Crowe plays the journalist and Ben Affleck plays the Congressman. Support comes from Helen Mirren, Jason Bateman, Robin Wright Penn, Rachel McAdams, and Jeff Daniels. The plot of the six hour mini-series has been condensed to fit two hours, and the location changed to Washington, D.C. Macdonald said State of Play would be informed by the films of the 1970s, and explore the topical subjects of journalistic independence and the relationship between politicians and the press.

The film is being produced by Working Title Films for Universal Pictures, which acquired the rights after they were subject to two bidding wars. Brad Pitt was to star in the role ultimately filled by Crowe, but he left the production after disagreements with the studio over the direction of script rewrites. Pitt's departure led to the postponement of filming, which was originally scheduled to start in November 2007. The delay meant that Edward Norton could not play the role of the Congressman due to a scheduling conflict, and he was replaced by Affleck. Principal photography took place from January 11, 2008 to April 6, 2008 in Los Angeles and Washington D.C. State of Play was to be released in the United States towards the end of 2008, but the production delay saw the date changed to April 17, 2009.

Premise

The plot will be similar to that of the original six-hour program, retaining several main characters, but condensing and changing certain aspects to fit the two-hour format. The film is set in Washington, D.C. and tells of Stephen Collins (Affleck), a fast-rising United States Congressman with ambitions to become his party's presidential candidate. This goal is threatened after his mistress (a former research assistant) is found dead in suspicious circumstances, while right-wing opponents to Collins' campaign for social reform attempt to use the scandal to kill his political career. During a probe into a series of seemingly unrelated murders, Cal McCaffrey (Crowe), an investigative journalist and Collins' former campaign manager, finds himself tasked with solving the case, becoming romantically involved with the Congressman's estranged wife (Wright-Penn) in the process.^[2][3][4][5]

Production

The original serial was written by Paul Abbott and aired on British television channel BBC One in May–June 2003 and on BBC America in April 2004.^[6] Abbott was initially reluctant to sell the film rights to State of Play, fearing a compressed version of his mini-series would be unworkable, but in May 2004 a seven-figure Paramount Pictures-backed bid led by producer Scott Rudin was accepted.^[7] The bid prevailed over an offer from Andrew Hauptman's Mission Pictures (backed by Warner Bros.), but the deal fell through before completion. After a second bidding war, Mission acquired the rights for Universal Pictures in December 2004.^[8]

Director Kevin Macdonald has long been attached to the project, though an early report suggested screenwriter Matthew Michael Carnahan was set to make the film his directorial debut.^[9] Macdonald was a fan of the original mini-series, and said it would be a "hard act to follow". He said it was the blend of fiction and the topical subjects of journalism and politics that attracted him to the project, adding that he wanted to examine the ways in which American and European societies learn what is going on in the world, and to what degree newspapers and the nightly news could be trusted. He said that in an age when people read fewer newspapers, he wanted to explore the necessity for reliable information and the threat to the journalistic profession from collusion between reporters and politicians,^[2] and that the film would "[ask] questions of how independent the press is, how much real investigating is conducted, and how much is taken on faith from lobbyists or PR sheets."^[10] Macdonald cited the films of the 1970s, All the President's Men in particular, as major influences, saying that while he was scared of comparisons with the film account of the Watergate scandal, State of Play would primarily be a piece of entertainment.^[2]

According to Carnahan, the story's core issue (and main factor behind his desire to write the adaptation) was the question it raised about whether a person would be justified in doing "a pretty awful thing" if they were performing great deeds in other areas of their life.^[11] Carnahan began working on revisions to his script with Macdonald,^[10] but the process was disrupted when Carnahan's daughter fell ill. When he chose to concentrate his time on his family, the task was handed to Bourne film series screenwriter Tony Gilroy, who performed a small rewrite based upon Carnahan's notes.^[11] Further rewrites were carried out by The Queen screenwriter Peter Morgan^[12] and Shattered Glass writer/director Billy Ray.^[13]

The film is being made for Universal Pictures by Working Title Films. Eric Fellner and Tim Bevan are producing for Working Title, alongside E. Bennett Walsh,^[14] and Andell Entertainment's Andrew Hauptman and Eric Hayes.^[15] Paul Abbott is acting as executive producer alongside Liza Chasin and Debra Hayward.^[15] Kristen Lowe and Maradith Frenkel are overseeing production for the studio.^[4] State of Play was to be released in the United States towards the end of 2008,^[16] but the delayed start to production saw the date changed to April 17, 2009.^[17] The studio hopes that the long lead time and lack of focus upon the Middle East will help State of Play avoid the disappointing box office performances that greeted other politically themed films in 2007 and 2008.^[18]

Casting

Russell Crowe plays Cal McCaffrey. The character is a "street smart" reporter,^[5] described by Kevin Macdonald as "[representing] the old world journalist, the shining knight who is after the truth".^[10] Brad Pitt had a long association with the part.^[9] He was initially attracted to the project after watching Macdonald's documentary Touching the Void (2003),^[20] and had enjoyed the director's film The Last King of Scotland (2006). Macdonald had also been working with Pitt's production company Plan B Entertainment on a potential future project.^[10] Pitt officially committed to star in State of Play in August 2007 after a Tony Gilroy script rewrite was completed.^[21] He visited the newsroom of The Washington Post with Macdonald in September 2007 to research the role, spending four hours "talking shop" with political and investigative reporters,^[22] but one week before filming was to begin in November 2007, he left the production.^[16]

Producer Eric Fellner attempted to convince Pitt to remain in the film,^[23] but Pitt was in disagreement with the studio over changes that had been made to the script since he originally agreed to star.^[16] Talent agency CAA (which represents Pitt) maintained that he never officially signed off on the changes;^[24] Pitt preferred a version closer to the original Carnahan draft and wanted to postpone filming until the after the resolution of the 2007–2008 Writers Guild of America strike, which would have enabled a further rewrite. The studio preferred to press on with production, and initially said it was to sue Pitt for reneging on his "pay or play" deal,^[16] which would have earned him $20 million.^[25] Settlement talks later led to a thawing of relations between the parties.^[24] Pitt later said of the situation: "I had definite beliefs of what [the film] should be, and the director had his definite beliefs [and] we got up against this writers' strike where we couldn't fuse the two."^[26]

Macdonald traveled to Australia to court Crowe's involvement,^[27] which averted the film's abandonment after Pitt left. Crowe also had to negotiate with the studio over shooting dates to avoid a conflict with Nottingham, which he was due to star in for director Ridley Scott in March 2008.^[28] The majority of Crowe's three hours per day in hair and makeup preparation was spent hiding his "extremely long" hair, which he grew for Nottingham.^[19] During filming in Washington, D.C., Crowe acquired an education in journalism from The Washington Post's Metro editor, R.B. Brenner.^[18] Universal president of production Donna Langley said Crowe's performance was a naturalistic one, and claimed State of Play was a different film than the one that would have been made had Pitt remained.^[29]

British newspaper The Independent noted that hiring an A-list American actor for the lead role was sidelining original McCaffrey actor John Simm, who it said was "widely considered one of the best television actors to emerge in recent years" and that the recasting was "the latest example of the trend for British actors to be replaced by Americans". The Stage television writer Liz Thomas said that while it was frustrating for British actors, such casting made good commercial sense, expressing hope that the film's high profile would be a "huge advert" or "shop window" for other such projects to come out of the UK in recent years.^[9]

Ben Affleck plays Congressman Stephen Collins.^[30] Affleck replaced Edward Norton, who had joined the project in September 2007,^[3] but when the start of production was delayed due to Pitt's departure, a scheduling conflict developed for Norton with Leaves of Grass, which he was committed to film for Tim Blake Nelson early in 2008. Norton asked Universal Pictures if he could be replaced,^[30] and a deal was struck between the studio and the Endeavor Talent Agency (which represents Norton and Affleck) to enable Norton to leave the production amicably.^[31] Affleck visited Capitol Hill to research his role, meeting with Speaker Nancy Pelosi, Representative Anthony D. Weiner of New York's 9th congressional district,^[32] and members of the Massachusetts congressional delegation.^[33]

Helen Mirren plays Cameron Lynne. Mirren was cast as the ruthless editor of the Washington Globe (the newspaper investigating the story) in September 2007.^[34][15] Producer Andrew Hauptman said of the character, "She's the one in control... she makes it known that she's strong, old school—a real Fleet Street type." Mirren indicated that Lynne would be English.^[35] The delay to the production caused by Pitt's departure initially put Mirren's participation in doubt, as she was due to appear in the film Love Ranch for husband Taylor Hackford in March 2008, but a revised production date enabled her to remain attached to the project.^[36][37]

Rachel McAdams plays Della Frye, a popular blogger turned junior political reporter who finds herself in the midst of the career-making story. She is being mentored by Crowe's character,^[15][34][38] but they have different opinions about presenting the story. Crowe said McCaffrey is more concerned with the corporate viewpoint, with Frye seeing it from a more personal position: "There's a consistent battle between the two of us to try and find out which one of those points of views is right."^[19] McAdams said she was fascinated with the evolution of journalism in the United States, and that she said she was curious to examine whether her character's "new breed" of journalism was as accurate as more traditional forms.^[19] McAdams visited The Washington Post in October 2007 in order to research the role.^[39]

Jason Bateman plays Dominic Foy, a bisexual fetish club promoter who has information that Crowe's character wants. Bateman said the role was "about a 15-page segment of the film" and that Foy "goes from A to Z in 15 pages".^[40] His hair has blonde highlights and is done as a Mohawk,^[41][42] he primarily wears leather, and has an OxyContin addiction.^[43] None of these elements were present in the original.^[44] McAdams said Bateman was "experimenting with his dark side" with the character, but that "it has a lot of humor".^[45]

Michael Berresse plays a "sociopathic assassin",^[46] who Berresse called "the darkest character in the movie". The role is Berresse's largest of his film acting career.^[47]

The cast also includes Robin Wright Penn as Anne Collins (Stephen Collins' estranged wife),^[15][34] Jeff Daniels,^[48] Rob Benedict,^[49] and Viola Davis as a pathologist.^[50] In a scene shot at the Library of Congress in Washington, D.C., the production employed the presence of several real-world journalists amongst the extras in order to lend verisimilitude to a scene in which Wright-Penn's character makes a statement to the press. The group included Bob Woodward, Margaret Carlson, Bob Schieffer, John Palmer, E. J. Dionne, Katty Kay, and Steven Clemons.^[51]

Filming

Principal photography took place between January 11, 2008,^[52] and April 6, 2008.^[18] Filming was originally scheduled to start in November 2007,^[3] but was postponed due to Brad Pitt's unexpected departure from the production.^[27] Eric Fellner indicated that the film was close to being abandoned, and credited Universal's chairman and co-chairman (Marc Shmuger and David Linde) with seeing the film to production.^[24]

The exterior of the Department of Housing and Urban Development building in Washington, D.C. doubled as a hospital entrance.^[53]

The first eight weeks of filming took place in Los Angeles,^[19] which accounted for the majority of the shooting schedule.^[54] A "massive" newsroom set was built to act as the hub of operations for the fictional Washington Globe newspaper.^[35] Costume designer Jacqueline West indicated that she looked to the newsroom of The Washington Post for inspiration, and used photos of The Baltimore Sun's newsroom to help her develop the journalists' looks.^[55] The production moved to Washington, D.C. for five weeks of location filming towards the end of the shoot,^[54][56] commencing on March 6 2008.^[57] More than a third of State of Play was shot in Washington, D.C.,^[19] with filming taking place throughout the city.^[57] The filmmakers estimated that State of Play may have set a record for the longest studio shoot in the city.^[18] Locations included the neighborhoods of Shaw,^[58] and Mount Pleasant.^[59] Scenes set on Mount Pleasant Street were also filmed at the Los Angeles studio, where a full replica of the strip's facade was built.^[60] In Georgetown, menswear store The District Line was transformed into a household goods store to shoot a chase scene for the film's opening sequence.^[61] Filming took place on various streets in Washington, D.C.,^[62][63] including the U Street Corridor,^[64] and at "practically every major landmark",^[18] including outside the headquarters of the World Bank on Pennsylvania Avenue,^[62] around Capitol Hill,^[65] at the Supreme Court building,^[66] outside the Library of Congress,^[51] and at the Washington Monument.^[18] Other locations included landmark restaurant Ben's Chili Bowl,^[67] where restaurant workers were employed as extras,^[66] and the Maine Avenue Fish Market.^[64] The exterior of the Department of Housing and Urban Development building was used to double as a hospital entrance. In preparation for filming, eighteen two-foot by three-foot photographs of Secretary Alphonso Jackson were removed from the entrance.^[53] The production's "working week" was Wednesday to Sunday, because several of the government buildings featured could not be used for filming during regular work days.^[68] The Harbour Square Owners Cooperative complex in Washington, D.C. doubled as the home of Affleck's character.^[69]

The Rosslyn Metro station is the setting for a scene in which a character is struck by a train. The station was chosen by the filmmakers for its long escalator that leads directly onto a platform.^[14]

A key scene in which a character is struck by a train takes place on the Washington, D.C. Metro. Filming for the scene took place at the Rosslyn Metro station in Virginia. The Rosslyn station was chosen because it was the only station in the Metro system to have a long escalator leading to a platform, with trains passing at the same times on upper and lower levels.^[14] Filming also took place at night aboard two railcars at the Forest Glen Metro station in Maryland.^[70][14] The railcars cost the production $1,000 per hour, for at least 10 hours use. Permission to film at the stations was granted after the script was vetted by the Metro's media relations office, which is notoriously discriminating about which productions it allows to film on the Metro. After the deaths of three Metro employees in 2006, the office was reluctant to allow filming of the scene, but because the script didn't explicitly show a death, the office assented. Scenes on the Metro had to meet strict standards for logistics and safety. The portrayal of anything illegal in the system was not allowed, nor was showing characters eating, drinking, jumping over fare gates, or running on the tracks. The production also had to agree to film scenes at the busy Rosslyn station at times when the system was least busy: late at night and after rush hour. Producer E. Bennett Walsh said that the production chose not to shoot on the less restrictive Baltimore subway, which has substituted for Washington, D.C. in other films that have come up against the Metro's rules, because "To shoot any other subway, you would know you're not in Washington."^[14]

Scenes were filmed at the Watergate complex, for which the production was granted permission to use the roof of a George Washington University campus building.^[62] Scenes were also filmed in the morgue of the St. Mary Medical Center in Long Beach, California.^[71] Washington, D.C. police officer Quintin Peterson was employed as a consultant on the film. Peterson, who has acted as a script consultant and technical adviser on numerous productions in the city, helped the production to accurately depict the city's police force.^[66]

Filming took place on the steps of the Scottish Rite Freemasonry temple in Washington, D.C. Maryland's Montgomery Blair High School provided a marching band for the background. They were joined by players from the school's production of the Beauty and the Beast musical and students from Paint Branch High School's Winter guard to act as color guard for the scene.^[72][73] Macdonald's aim was to recreate a famous 1970s Canadian photograph, which depicts rifle-twirling majorettes, in order to emphasize militaristic themes and to comment upon the place of guns in American society. The aesthetic also appealed to Macdonald: "it's just very colorful and beautiful and very American—like a piece of anthropology in America."^[19]

The majority of filming over the last three weeks of the shoot took place at night. Filming for these scenes usually began at 5:00 p.m. and finished at 5:00 a.m.^[68] A scene filmed under the Key Bridge in Georgetown on April 6, 2008 was the last in the principal photography stage.^[18]

Effects

Director of photography Rodrigo Prieto indicated that the film was shot in two distinct visual styles: scenes featuring the media were shot in the anamorphic format on 35 mm film, while scenes focusing on the world of politics were shot in high-definition video with the Panavision Genesis digital video camera.^[74] Hand-held cameras have been used.^[75] For color management, Prieto employed Gamma & Density Company's 3cP color management and correction software,^[76] using the American Society of Cinematographers' Color Decision List to keep color consistent throughout shooting, dailies, post and DI.^[77]

The digital effects are being handled by Rhythm and Hues.^[78]

Music

Alex Heffes, who provided the music for Macdonald's One Day in September, Touching the Void, and The Last King of Scotland, is scoring the film. It is being recorded in the United Kingdom. Heffes indicated that he had a preference for scoring around the dialogue rather than through it. As with the recording of his previous works, Heffes will be conducting the orchestra himself to enable re-scoring as the recording session proceeds. Macdonald prefers to involve Heffes early on in production, and in an unusual move for a studio film, he had Heffes write some of the music to State of Play in advance of principal photography, based purely upon the script. Heffes said this was to provide a hint to the direction the film was going to take. He said that he and Macdonald had decided to take the score down an unusual path, "off the beaten track", and that the prospect was a "liberating" one. Grammy Award-winning record producer "Flood" (aka Mark Ellis) is working with Heffes on the score. Heffes said that working with Ellis "opened his mind" and that they were attempting to push boundaries. He said that in producing the score, Flood brought an aesthetic to recording the instruments that was atypical for film recording sessions.^[79]

References